I want to be a trillionaire, I want to hop out the lambo in drawls made from the skin of slayed dragons, I want to purposely build a habibi corner store in whatever gated community i live in (and he’s still gonna have the bulletproof window), I want to buy a loosey with a $100 bill, I want to invest money in developing the first bulletproof durag, I want to fly Amerie from where ever she’s at to my house every night at 11 PM to sing me to sleep, I want a customized alarm clock that says “you are the realest nigga up right now” every morning at 7am, I want Alicia Keys breast milk at my doorstep every morning so I could eat my cereal, I want Memphis Bleek to take his fitted off every time he steps in my crib, I want to take a picture in front of the pyramids in Egypt with 2 bitches clippin my toe nails one on each foot, I want a lot of shit, and I need to get this money tho.
So I have been on a realll hardcore MF Doom marathon since last week, you could see his lyrics peppered in my tweets. One of my favorite rappers, he is also one of my favorite producers. He really doesn’t get enough credit for his production. When I was listening to Beef Rap my friend was like Oh thats from Spiderman right? I was ignorant to this fact, but he had all these Spiderman cartoons on VHS and he showed me. Looking on Youtube I decided to peep other samples he has used. He really gets creative with his samples.
(Aight James Watts maybe I can let you get your busy on with the sample I brought you, Go crazy on it if you still want to re: Carmen)
Such as one of my favorite songs/beats:
MF DOOM :Hey! (“Supervillain, He reps clubs for delf in a drunk stupor chillin”)
The beginning is so triumphant like a marching army and the switchup at 45 seconds aaaaah. Gilel plays the keys just right knowing when to ease up and punch the keys. Performances by other people doing the same songs never hit quite the same.
Dazzle camouflage, also known as Razzle Dazzle or Dazzle painting, was a camouflage paint scheme used on ships, extensively during World War I and to a lesser extent in World War II. Credited to artist Norman Wilkinson, it consisted of a complex pattern of geometric shapes in contrasting colours, interrupting and intersecting each other.
At first glance Dazzle seems unlikely camouflage, drawing attention to the ship rather than hiding it, but this technique was developed after the Allied Navies were unable to develop effective means to disguise ships in all weather.
Dazzle did not conceal the ship but made it difficult for the enemy to estimate its type, size, speed and heading. The idea was to disrupt the visual rangefinders used for naval artillery. Its purpose was confusion rather than concealment.[1] An observer would find it difficult to know exactly whether the stern or the bow is in view; and it would be equally difficult to estimate whether the observed vessel is moving towards or away from the observer’s position.[2] Continue reading »